Home / Hands-on activities / Make Up a Dance

Creative learning activity

Make Up a Dance

Every dance in the world was made up by someone who just started moving and didn't stop. The first person who ever did a spin decided to do a spin. The first person who ever did a jump decided to jump. Today you are that first person. You're going to invent 4 moves that are completely and entirely yours — and put them together into a real dance.

MovementAbout 30 minutesScreen-freeParent preview recommended

Materials and setup

How this changes by age

Pre-K (ages 3–4)

Every dance in the world was made up by someone who just started moving and didn't stop. The first person who ever did a spin decided to do a spin. The first person who ever did a jump decided to jump. Today you are that first person. You're going to invent 4 moves that are completely and entirely yours — and put them together into a real dance.

Difficulty 1 of 3

Steps

  1. Think of 4 moves you love to do. They can be anything: a big spin, a slow float, a stomping stomp, a reaching-for-the-sky stretch. Pick moves that feel good in your body.
  2. Practice each move 3 times so your body remembers it. Give each move a name — even a silly one. 'The Tornado.' 'The Melting.' 'The Rocket.' Your names, your rules.
  3. Put all 4 moves in a row and do them without stopping. Say the names out loud as you do them: 'Tornado — Melting — Rocket — Stomp!'
  4. Pick a song and do your whole dance to it from beginning to end.
  5. Teach your dance to someone else. Can they do all 4 moves with the same names? That's called choreography — and you just made some.

Learning objectives

  • Create an original movement sequence with named, repeatable movements
  • Develop motor memory and body awareness through self-directed physical invention
  • Experience the creative satisfaction of making something entirely original and teaching it to another person

Kindergarten (ages 5–6)

Professional dancers talk about 8-counts — groups of 8 beats of music. Almost every song ever made is built in 8-count blocks. Choreographers use these blocks like building blocks, stacking them to make dances. You've felt 8-counts before without knowing the name — it's that natural place where you feel a song 'turn over' and start the pattern again. Today you'll use 8-counts on purpose for the very first time. Real dancers always warm up and cool down — you will too.

Difficulty 2 of 3

Steps

  1. Warm up first: march in place for 30 seconds, then roll your shoulders, circle your arms, and gently stretch your legs for 1 minute. This helps your muscles stay safe while you dance.
  2. Choose a favorite upbeat song. Clap along to the beat and count: 1, 2, 3, 4, 5, 6, 7, 8 — then start again at 1. Feel where the 8-count 'turns over.'
  3. Decide on a beginning pose — how will you start? Frozen in a strong wide shape? Tiny and curled up? The beginning pose tells the audience: pay attention, something is about to happen.
  4. Create 4 moves, one for each 8-count. You decide what they are — but each move should last a full 8 beats before changing.
  5. Create an ending pose. Hold it for a full 8 counts of silence after the last move. That silence is part of the performance.
  6. Practice the full routine 3 times. Then perform it for your family — beginning pose, 4 moves, ending pose. Afterward: which of your 4 moves was the most you?
  7. Cool down: hold a gentle forward fold for 20 seconds, reach overhead for 20 seconds, and take 5 slow breaths. Your body just did real work — thank it.

Learning objectives

  • Identify and move in 8-count musical phrases — a common building block of choreography
  • Structure a dance with an intentional opening pose, movement sequence, and closing pose
  • Practice and refine a complete creative routine through repetition and performance

Early elementary (ages 6–8)

Choreographers think in three dimensions that most people don't notice: LEVELS (are you on the floor, in the middle, or reaching high?), PATHWAYS (are you moving in straight lines or curved ones?), and QUALITIES (is your movement sharp and sudden, or smooth and slow?). When you change any of these on purpose, the dance becomes interesting to watch — because something has shifted. Today you'll build those contrasts into your own choreography. Warm-up and cool-down are part of the process — real dancers never skip them.

Difficulty 2 of 3

Steps

  1. Warm up (2-3 minutes): march or jog in place, do 10 arm circles each direction, 10 gentle leg swings each side, and stretch your calves and hamstrings lightly. Warm muscles move better and are less likely to strain.
  2. Choose a song and listen for the beat. Clap along and count in 8s until it feels natural.
  3. Create 4 movement phrases of 4 counts each (= 16 counts total). For each phrase, make one deliberate choice: Will you be on the floor (low level) or reaching high? Moving in a straight line or a curve? Moving sharply or smoothly?
  4. Write down each phrase using stick figures, arrows, or your own movement shorthand — any system that lets you remember and reconstruct it.
  5. Practice 5 times until the routine feels fully memorized, not figured-out-as-you-go.
  6. Film yourself once and watch it back. Look for one specific moment that doesn't match what you intended. Change that moment. Film and perform the final version.
  7. Cool down (2-3 minutes): hold a forward fold, a figure-four hip stretch on each side, and a seated hamstring stretch for 20-30 seconds each. Finish with 5 deep breaths.

Learning objectives

  • Apply three core choreographic elements — levels, pathways, and movement quality — as intentional creative choices
  • Develop a personal notation system to document and reconstruct a movement sequence
  • Use video self-review to identify and correct a specific element, building critical self-assessment skills

Upper elementary (ages 8–10)

Many choreographers use tools like 8-count phrases, levels, pathways, gesture, and written notes to shape a dance. Today you will use those tools to build your own piece.

Difficulty 3 of 3

Steps

  1. Choose a piece of music between 1.5 and 2 minutes long. Before you move at all, listen and map the structure: where are the sections? Where does the energy shift? Mark these in a written timeline.
  2. Design a 5-minute warm-up: include 3 stretches that target the muscle groups your dance will use, and 2 cardio movements that relate to the energy of your piece.
  3. Choreograph a 32-count routine (4 phrases of 8 counts). Each phrase must have a distinct movement concept: one phrase travels through space; one has a level change (floor to standing, or standing to reaching); one uses a turn or rotation; one uses a gesture that carries meaning.
  4. Create written notation for your full routine using any system — abbreviations, stick figures, arrows, your own symbols. It must be detailed enough that you could reconstruct the piece from the page alone.
  5. Choreograph a 5+ minute cool-down in this order: forward fold (30s), figure-four hip stretch on each side (30s each = 1 min), seated hamstring stretch (30s), cat-cow on hands and knees (30s), child's pose (1 min), slow deep breathing (30s). Total at least 5 minutes — this should roughly match the length of the warm-up.
  6. Perform the full sequence — warm-up, routine, cool-down — in one continuous flow. Film it.
  7. Write a choreographer's note (3-5 sentences): What was the central movement idea of your piece? Which of the four phrases are you most proud of? If you were to develop this into a longer work, what would you add?

Learning objectives

  • Choreograph a structured 32-count routine using 8-count phrasing, levels, pathways, and gesture
  • Create an original notation system detailed enough to reconstruct the full piece
  • Demonstrate health-conscious practice by structuring a complete warm-up, performance, and cool-down, and articulate creative intent in a choreographer's note

Safety and evidence note

Read the full activity before beginning. An adult should supervise tools, heat, food, outdoor work, movement, and experiments as appropriate. Completion records that the activity was done; the child’s explanation, work sample, photo, or demonstration is stronger evidence of learning than a completion check alone.

Related creative learning activities

Browse all 575 activities · Explore course syllabi